A Literal Girl

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Words, Words, Words (again)

It’s official.  I–to use a delicate and especially eloquent term–blow at regular blog updating.  Is it because I feel stretched thin between all the hard work I do at work (four hours a day is a long day indeed, after all, especially when it’s a mentally taxing job that involves filing paperwork, printing out certificates, invigilating English placement exams, sorting mail…I could go on…) and the hard work I do at my writing (essays don’t write themselves, obviously–as this blog is becoming a testament to!)?  Or is it because Spring, in some strange and elusive guise, is finally, almost, sort of, here?

Both, probably.  Today I went out into the garden to drop some wilting lettuce into the compost bin and discovered that our neighbors have installed a trampoline in their garden, complete with a mesh border (so that exuberant jumpers can feel safer, even if they aren’t, really).  It was so warm out that I considered lingering, maybe even sitting in the grass and reading.  But I was afraid of the slugs (they crawl into your shoes when you’re not looking), and it wasn’t sunny.  I just couldn’t get excited about a springtime saturday spent loafing in the garden without the sun.  I came back inside, locked the back door, and set to work doing boring household things that make me feel as if I’ve accomplished more than I actually have (whoever came up with the idea of filing bank statements is a genius, as is the inventor of cleaning counters).  Now I’m sprawled on the couch convincing myself that a run up the hill to Headington would be a good idea, and not a painful exercise in seeing how out of shape I really am, sipping tea, and feeling disgustingly pleased with myself.  Lord, what would I be like if I actually accomplished things?
The other day at work, we wondered what the universal term for “I kissed him” would be.  The office of an international school is a pretty good place to wonder this.  Apparently a dutch girl had come in and asked how to say it: she’d used the term “hooked up,” a quintessentially American phrase, and been giggled at by her colleagues, who either didn’t recognize the meaning or automatically assumed that it referred to sex.  All she had meant was that she had snogged the boy–except that “snog” is not a term you will ever hear, really, in America (or likely in other parts of the world except Britain).  I, for one, spent a long time thinking that “hook up” was just another way of saying “make out,” until someone pointed out that common use of the word includes all the bases; then I started to use it that way, and now I can’t go back.  Possibly she thought the same; until corrected.
  
She could have, my colleagues reasoned, said “got off with” except that this could conceivably also imply sex; she could say “got together with,” but this might not convey enough physical contact.  And of course, she could have just said “kissed,” but where’s the fun in that?  I wondered: where do these ridiculous rules come from?  And how do we know where the line is, in any given phrase, between playing innocently in the dark and inhibitions-to-the-wind-sex is if we keep moving it?  Why is “I slept with him,” or, “I shagged him” acceptable in friendly conversation, while, “I had sex with him” is only reserved for very serious discussions?  And when you get a group of people together from all over the world, how on earth are you meant to communicate with such nuanced language?  We invent these phrases to work for us; but we end up working for them. 
If language is the chosen tool of the human race, why are we so crap at letting it get the best of us all the time?  Why, when I have so many words, do I find it impossible to commit to committing them to paper with any regularity?  They hide when I seek them; and come bubbling to the surface when I need them most to be subdued.  A few cocktails in, I have all the words in the world at my fingertips, but my fingers are too clumsy to maneuver them; in the starkness of morning, I have the ability to sculpt at will, but find that either my will is gone, or the tools themselves have retreated into the darkness for a nap.  
“What do you read, my lord?” said Polonious; and
“Words, words, words,” said Hamlet, alighting upon, in my opinion, one of the greatest truths in all of literature.  And as if to prove the ridiculousness of words themselves Polonious then asks:
“What is the matter, my lord?” and Hamlet responds, (as he is well justified in doing!),
“Between who?”
“I mean, the matter that you read, my lord.”
They say that God has a sense of humour; but so, I would argue, do words.

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The Memeing of Life


Funny how a thing, once it’s been called to your attention once, can settle in your consciousness, like a cat in the sunlight, stretching, and then you see it everywhere. Doubly funny, perhaps, when that thing is a meme.

Badaude called this to my attention. She wants me to open a book–the nearest book to me, which in my house means that no matter where I am I never have to anything more than stretch my arm out–and count five sentences down. Then write down the next three sentences that appear. Lying in bed on a Saturday afternoon (we’re slightly fuzzy-headed and it’s overcast outside), I pick up George Steiner’s My Unwritten Books from the chair-that-serves-as-as-a-night-table/book-receptacle and read:

“How does lovemaking in Basque or Russian differ from that in Flemish or Korean? What privileges or inhibitions arise between lovers with different first languages? Is coitus also, perhaps fundamentally, translation?”

In my second year of university I took a course on evolutionary biology and learned that memes are sort of like the cultural conduit for evolution: ideas transmitted, if you will. We read a lot of things by a woman called Susan Blackmore, but I was mostly too tired and student-y to retain any of the information. Then I went to a taping of BBC Radio 4′s new show, The Museum of Curiosity. And they started talking about memes. And Susan Blackmore. Go figure (and how perfectly beautifully appropriate). Have a listen to the first show, which aired on Wednesday and is brilliant (I’m biased, as some of you know, since I get to sleep with live with love with one of the researchers but I also genuinely appreciate the endeavor to make people laugh and think at the same time), and you’ll hear about memes. I don’t pretend to understand them, but I know that somehow, there’s something poetic about the way they keep fluttering in and out of my consciousness.

To be fair, I haven’t read the George Steiner book yet. I bought it on Thursday on a particularly expensive trip to Blackwell’s, where I perused each floor with great attention and had to send my lovely museum researcher a message that simply said: “I think I have a book buying problem.” Then I had to cycle back home with very heavy books and a bottle of prosecco in my basket, and it was wonderful. But I’d read a review of it on The Guardian’s website and was struck by how sexy the excerpts was: and not just overtly sexy, though as much of the book, or a good part of it, is about Steiner’s sexual exploits, they were that. Sexy to someone who loves words, because of the beauty and the eloquence and the way each sentence seemed to fit into the next.

So I haven’t yet read it–but I like that in a post about words and ideas, we can discover the suggestion that, perhaps, sometimes it is the physical interaction that translates (and transcends) all else.

(so to whom should I pass this project on to? Cynthia might like it, as an exercise in words and web-bonding; and George, I suspect, would weave something full of wit and wile…)

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Words, Words, Words

The usual Wednesday night push. I hear snippets of lecture, but not the lecture itself.

We need to reframe all of this.
He was an ostrich.
I stamped it too. Consultants can be wrong sometimes.
Turf battles. Office politics. State politics. National politics.
And a man known as “Shrumy”.

I said the city was dizzy yesterday; well, now I’m dizzy.

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Who is Miranda Ward?

A writer from California. Now lives in England. Blogs about place, space, books, writing, anxiety, and other stuff too. Read more...

Miranda Ward

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