A Literal Girl

Leaf

Here in the House which was the Site of Our Budding Love

1.

I suddenly feel weary with the anticipation of a Saturday. Here I am at my desk, which is not a proper desk but a slab of coarse wood, which used to be the kitchen table, staring out at the garden behind the house thinking thoughts of Springtime, Springtime which is still just beyond our reach. There are yellow flowers and a few misty buds, but the trees are still blank, the grass still pale, the dead leaves of last year still plastered to the frosty pathway.

We’re in the time-between-seasons; you wake up one morning and here it is, Spring, and you put on a light coat, you dispense of your winter boots, but by mid-afternoon it’s Winter again and shivering you cycle home against a fierce wind that belongs to January, not March.

2.

I need a chair big enough to swallow me. I don’t want to sit at my desk with my legs crossed neatly, dangling toward the ground, I want to fold them beneath myself, I want them to have freedom and space. The thing is of course that none of this furniture is ours, but now that we’ve lived here–how long? nearly two years?–it fits us. It owns us if we don’t own it.

I think about this sometimes (I’ve probably written about it before, too). What anchors us to this house is not possession. All that we own, between us, is a bed. You could say that’s too symbolic to be true, but it is true, and the only reason we even own the bed is because some friends were getting rid of it and thought that maybe we would want to graduate from a folding futon to a proper mattress-and-headboard bed.

So we have a bed and our books. We sound portable. But I don’t think we are as portable as all that. Here is the site of our budding love. How do you take that with you when you go?–say, the memory of sitting on the kitchen floor, midnight, two weeks in, picking apart a chicken carcass from the fridge, sipping a gin and tonic; the memory of the first walk to the bus stop, the smell of early summertime and the sunlight and the way he puts his sunglasses over your eyes because it’s early and you need a shield, and a piece of insurance, something to tie you together.

Because the thing is that while we’re here, they aren’t just memories; I can actually see a two-years-younger version of ourselves sitting in the garden watching the nine o’clock sunlight fade behind the East Oxford terraced houses. I haven’t actually converted these things into memory yet. I know I need to start doing it, like a computer caches old emails (if that’s what they do), or my mind will start to feel cloudy and crowded, but. But.

3.

(A little truth about myself: sometimes I mix up Walt Whitman and William Wordsworth. And Henry David Thoreau, because of Walden Pond. All those Ws. Even though I’ve been to Walden Pond. One sticky Boston summer. I ate potato chips on the way there, bikini beneath black dress, and it was clear as anything but when we drove up to the pond the world suddenly clouded over and a few drops of rain hit our heads and then a crack of thunder, a fissure of lightening across the sky. So we didn’t swim in Walden Pond after all.)

4.

I’d like to wear a summer dress, today; or a pair of cutoff denim shorts, like I am seven again, and a fluttery blouse that lifts in the gentle wind. I’d like to see all of our clothes–his shirts, my knickers–our sheets–hanging on the line in the garden. That’s the nicest thing, here, in summer. Looking over the fences and seeing that everybody on the street has hung their washing outside.

And the days of the barbecues. Walk outside in the early Sunday afternoon, smell the char and the smoke from next door, or from your own garden. One day we spend hours outside, into the night, lying on a blanket. The boys burn old pieces of wood in the barbecue just for fun. We leave all the plates and bowls outside until the next morning.

5.

So it’s funny to think that for all that, it isn’t ours (ownership being a thing about money, not memory). Still, here we are on a Saturday, doing our laundry, our dishes, he bringing me tea while I work, Billie Holiday drowned out by the sound of the washing machine shuddering its way through another load, passing through this in-between season and into another.

Oxford, Late Winter, Evening

I like to watch the steeples puncturing the sunset as I cycle home, showering the city with blood-orange colours, setting the tops of buildings alight. Such precise buildings: the filigree, the sculpted domes, the golden windows. The roads seem wider at this hour, and unpaved. I go towards home, towards the pub with the rusty bicycle outside, towards the café where magic (they say) happens. Towards the bare-wood-planked edifice of our love.

Earlier I ran mundane errands. I bought ugly things, useful things. I hate to spend my money on ugly, useful things. Razors, shampoo, tampons, condoms. I went to the self-checkout because I did not want to be seen. Please let them not think that this is what I do, what I do, in my red pencil skirt, my leather heeled brogues, my rust-coloured coat, after work, on a Friday evening. Let them not think that this city and this life has become so prosaic for me, because that would be an unfair representation, and even if I buy razors and tampons on a Friday evening while the air and the light is shimmering all around us, I also…

…have this thought: cycling to work, early morning. The sun coming down the wide, empty (unpaved) High. I had forgotten how much I love to see the city in this light. The closed, sour winter-me, so suddenly self-obsessed, so willing to be saddened or hardened, moved by the temperature, the darkened days, had forgotten this very simple thing; but all it took was a touch of light upon my skin to remember it.

(Still, strolling down Turl Street, I see a stationer is closing its doors for good, and in the Covered Market, past the fresh meat and leather and hot cookies, several shops wear signs: Sale. Last few days. Everything must go. I have thought for so long that the economy does not touch me, because I am poor anyway, I am in the throes of youth, but maybe, I think, I will miss the stationer, where I once bought a set of notecards, and the shop in the covered market where I once bought a blue satin clutch to go with my dress for a friend’s wedding.)

Another Late Night London Sky

Does it always rain in London? Probably not. But there’s that cold, seeping into your bones, under the wool of your coat, settling beneath your skin. We stand on the corner under a droopy umbrella, wondering what the point of a droopy umbrella is. Later we sit in the heat of a friend’s restaurant, listening to the table beside us. They say things like, I can tell a good wine just by smelling it, and, In Canada we just drink beer, and, But you know what, whenm you go back, you’ll be all cultured. They are City people with a capital C, just slightly out of their depth, aiming just slightly too high, so enamored of their own image of themselves that they forget who they are, where they are, why they are.

Time passes more quickly in London than anywhere else I know. First it is just gone nine, and suddenly it is midnight, and then one. We splash down the street with our friend, who we haven’t seen for too long (but none of us has the energy to say this), we wait at a bus stop, we go separate ways. Gliding down Oxford Street it occurs to me that there is nothing sadder, nothing that makes me feel smaller and more powerless against the force of the Big City, than glitzy shops all closed up for the night. A kind of desparation creeps into view; the Big City isn’t so different after all, is it, I think; it’s just as sleepy and just as shut as anywhere else in this in-betweeen hour.

But earlier, on the tube, leaning nonchalantly against the plastic in the car with my headphones and my heavy coat, going to meet The Man, I had remembered how well I like the city-feeling, the knowing feeling; I had felt again the happy chills as I skipped down the escalator and waited for a train, for there is nowhere in the world but a big city that you can feel so a part of the world, such an insider, whilst being above it, too, outside of it.

We wait for the bus home. Now the cold has entered our socks and shoes, our very beings; we huddle close together. For the first time in I don’t know how long, we are not unhappy under this late night London sky, just cold, just waiting, just wanting, because it is late, to get back to the warmth of our house.

Er, it's Sunday, and…We're a Little Weird

So, it’s Sunday, and it’s snowing outside again, so this is what we’re doing: sitting in the lounge sipping mulled wine, with a fire going, and Christmas songs playing in the background. No, we are not two months behind the rest of the world; just quirky. Here’s proof, in conversation-form:

“Like Good King Wenceslas…he went down…”
“He didn’t go down…”
“He did, he went down. On Stephen. And gave him a good feast.”

Also, the response that George gives his significant other when she murmurs from the couch, “I’m tired”: “I know, but this is, this is rock n’ roll, this is the chance you take, going out with a rustic poet like me.”

Remember: quirky.

How to Start Your Thursday

It’s another grey-skied lapsang souchong Thursday.

The Man fixed the electricity problem. I do love men, don’t you?

I’ve got three blog posts to write today. (Yes, I really am sticking to a schedule). I’ve spent the morning doing anything but work. I’m organizing old photos and music. I plan on making lists at some point, lots and lots of lists, but I haven’t even begun thinking about the lists. I’m watching the birds dig around in the wasteland that is our back garden in winter. They’re sending dead leaves and wet twigs everywhere.

My books for next term arrived yesterday. I’m quite excited to read W.G. Sebald’s The Rings of Saturn, but otherwise I’m unimpressed. Beloved I read years and years ago and despised. I hope I was wrong about it, that I was just being a snotty teenager, but as I recall, my general impression was, why does Toni Morrison have to write like this?

I’m digging KCRW this morning. My tea is just the right drinking temperature and I’m bobbing my head around to the Dandy Warhols and Loudon Wainwright, and Michael Franti. Not the most promising way to start a day meant to be rife with accomplishment, but good fun anyway. I’ll check back later.

Who is Miranda Ward?

She reads, writes, and runs. She is mostly interested in exploring how we interact with places. She also enjoys cheese and a good cider. Currently, most of her socks have holes in them.

Miranda Ward

@aliteralgirl

Miranda Ward