A Literal Girl

Leaf

Clown and Pelican, Entertaining Crowd


A few weeks ago, I experienced my very first St. Giles’ Fair. Surely this must be some kind of secret Oxford induction: in the dead-quiet of early September, when the leaves are on the cusp of changing and a hush has come over even the busiest streets, suddenly the flame of festivity erupts on one of the city’s most charming tree-and-college-lined roads. In my research, I read that, “since the nineteenth century, St. Giles’ Fair has been held on the Monday and Tuesday following the first Sunday after St Giles’ Day (1 September)”—a fittingly circuitous formula for a circus-esque display.

Here’s what John Betjeman wrote about it in 1937 (in An Oxford University Chest):

“It is about the biggest fair in England. The whole of St Giles’ and even Magdalen Street by Elliston and Cavell’s right up to and beyond the War Memorial, at the meeting of the Woodstock and Banbury roads, is thick with freak shows, roundabouts, cake-walks, the whip, and the witching waves. Every sort of fairman finds it worth his while to come to St Giles’. Old roundabouts worked by hand that revolve slow enough to suit the very young or the very old, ageing palmists and sinister, alluring houris excite the wonder and the passions of red-faced ploughmen…. Beyond St Giles’ the University is silent and dark. Even the lights of the multiple stores in the Cornmarket seem feeble…. And in the alleys between the booths you can hear people talking with an Oxfordshire accent, a change from the Oxford one.”

It isn’t so very different today, fundamentally: “Beyond St. Giles’ the University is silent and dark…”.

Historical photos of the fair show ladies under wide parasols, in sweeping black skirts and busty white blouses. The men wear caps at jaunty angles and plus-fours, or suits and bowlers. There are striped tents and little girls with ribbons in their hair. The great stone walls of the University are all but hidden. Elaborate, fairy-tale structures have been erected where once was only an empty avenue.

The caption of one photo, taken in 1895, reads: “A large crowd gathered in St Giles during the annual fair to watch the Fair Days Menagerie. A clown and a pelican are entertaining the crowd waiting to enter.”

When I attend the fair, the outfits are t-shirts, scarves, and denim, and nobody carries a parasol, though they wouldn’t need to anyway: it’s a day as grey as they come. A mist settles on my bicycle as I wheel it through the crowd. There is none of the frivolous accordion music you expect at a fair, only the heavy thump of electronic beats and rock bands (the Man, who works in an office on St. Giles itself, came home that evening looking frazzled and as if he never wanted to go near the place again). The only people on the whirling carousels are white-haired women being photographed by their white-haired husbands, reliving the glory of their childhood one musical spin at a time. Today’s young prefer the faster-paced rides: the roller-coaster outside the doors of a college, the things that spin and shake you into a state of blissful oblivion.

I am reviled by the prospect of such things, though a lifelong attraction to bumper cars is rekindled as soon as I see the shiny floor of the Dodgeum ring. Enormous stuffed animals, arcade games, and the universal sweet smell of the fair (cotton candy mixed revoltingly with fried foods) accost the senses at every turn. I have the sense that I have stepped off my cycle and into a Fellini film. I don’t know quite where to look: at the Haunted House? The giddy teenagers in their tiny straight-leg jeans and pixie haircuts, cigarettes protruding from underage lips? The enormous pink polar bears on display, the food stalls, the patient tweed-clad fathers trying to keep up with their eager, bounding toddlers? I wouldn’t be surprised in the slightest to see a clown and a pelican holding court. Part of me is disgusted, but another part of me can’t help cracking an enormous grin.

**

When I get home I check the news, as if there might be something new, but there isn’t. There’s doom and gloom and the circus of the presidential election–McCain/Palin (a clown and a pelican?) making gaffes wherever they go, Obama making speeches, pundits and political analysts making predictions, everyone else making noise. The whole world appears to have been swallowed by the same Fellini film that took over St. Giles for two days in September.

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that good-old-back-to-school-busy-season

I went to buy a new bath mat today, but they didn’t have any under £12.99 that weren’t all kinds of ugly, and I decided I’d rather not spend that much money on something I’m going to use to dry my feet off with after a lengthy soak. Too lazy to try anywhere else, instead I went down Broad Street and bought myself a few books–which came to a grand total of £13. But in retrospect, I’ll take books over bath mats any day.

We have other people’s mail coming through our letter box. Some of it I don’t know how to send on, so it just piles up on the second desk in the study. We don’t own either of the desks, but there they are, lit up by lamps that aren’t ours either. I think if you stripped the both of us down to our own true possessions we would have nothing but books and clothes, in that order. I can’t decide if that makes us free or just pathetic. But when you have somebody else’s furniture crowding up the house you’ve come to think of as yours, even when it isn’t, you start to feel tied down by things.

When I paid the tuition for my MA the other day, I swear my card looked weary when it came out of the machine. It looked up at me balefully as if to say: don’t ever make me do this again. I spent a full quarter of an hour marvelling at the fact that I had never ever spent that much money in one easy go before. And I wonder, in a way I’ve never really wondered before, how all those people with their fancy strings of degree initials actually manage to pay for that much education.

But I’m distracted by the necessity of buying new books, and pens, and stationary. Eighteen years in you would think this might get tiring but there is something eternally satisfying about the back-to-school season, and I don’t think that I could ever feel disappointed by the return to education.

It’s funny to think of the formative memories I have from my early schooling. Mixing raisins with my apple juice, with disastrous consequences (I was put off raisins for years). Being in the bathroom at preschool and wondering what it would be like to pee standing up, like the boys did. Mouthing the words to a song and having the teacher call me aside after. Her gentle, crushing admonition. Saying my favorite color was white, and not pink, just to be different from all the other little girls. Running across the tarmac at snack-time, falling, scraping my knee, crying, being helped by a boy whose name I have no recollection of. Making stories with felt cutouts. The teacher who limped and carried a cane and frightened me so much that I dreaded the days when my mother would tell me she couldn’t pick me up until after storytime. Children calling “na, na, na na na!” at each other on the playground for no good reason. Putting on a play I wrote in the second grade and later in the year coming home to my mother after discovering that King Arthur, our newest focus of study (we’d just finished a lesson on giants), hadn’t been a actual king and asking when we were going to learn about real things.

***

It almost almost smells like autumn outside. And it’s getting to be chilly. I wore a wool coat to a dinner the other night, and I wasn’t sorry. Inside we wrap ourselves in duvets (I’m wrapped in one now). We refuse to put the central heating on until October of course.

Mostly I am in the back-to-school daze, and everything I think to write has left my head by the time I make my busy way back home. The house has become a refuge. Which is funny really. A few weeks ago there was the house down the road which burst into flame; and the fight at the pub at the other end of the street which warrented what seemed to be an entire fleet of police vans. This weekend we were startled into wakefulness by a pair of voices–male, female–arguing in that way that only couples do, and just when we thought maybe they had had their last go we saw the ambulance coming down the road and the man got in with a book tucked under his arm. In the morning we saw the blood pooled outside the house directly next door, where the head wound he had inflicted on himself by hitting the door had spilt onto the concrete. And after all that was over there was an incessent rapping across the street, all morning long, it felt.

Sure, we stick our heads out of the door. We can see other heads poking out, too. But I feel like this is part of living here, and the truth is that I still think we have the most beautiful house in the neighborhood, just like I think I have the handsomest bicycle in Oxford; and we cosy up to the rush of September leaves together: he now only semi-bearded, me wearing thick jumpers. It’s winter in California, here: green, rain, cold sunshine, gentle light.

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Who is Miranda Ward?

A writer from California. Now lives in England. Blogs about place, space, books, writing, anxiety, and other stuff too. Read more...

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Miranda Ward