A Literal Girl

Leaf

California – Notes (1)

I’ve been traveling. Or at least this is what I tell people. The truth is that when we arrive at LA neither of us feels different or amazed in the way you feel different and amazed to discover yourself someplace entirely new. The air is warmer and heavier than it was in the place we left; in England there was a summer wind, blowing big clouds across a narrow sky, whipping my freshly-washed hair around my face. But we have a history here – if not here specifically then here generally, in this part of the world – and the pleasantness of familiarity borders on mundanity. We take a shuttle to the Hilton and check in. Everyone is cheerful, and the mirrored elevator whisks us up a dozen floors. Our room looks out over a parking lot. Anonymous lights flicker and blink in the distance. We’re in a no-man’s-land. Hard to believe this place ever had any other purpose, though it must have, once. We fall asleep with the TV on – a film with Russell Crowe, I think, or someone like him, playing a cop in 1970s America. He’s yelling at a junkie in an ambulance when I nod off.

We wake very early; no spectacular sunrise, just a dark grey that lightens as the invisible sun moves behind a curtain of June clouds. I ride the elevator to the pool. There are two men splashily attempting laps as I swipe my card and enter the gates, but they soon leave and I have the place to myself. The pool is shallow, and so small that within six strokes I can cross it lengthways. But the water is warm, and the air outside is cool and the overall sensation is soothing.

***

Orange County is a source of perpetual amazement. In Garden Grove, Anaheim, Santa Ana, I think: people made it this way. But how would you ever know that it was people and not robots, that it was meant for human inhabitants, that it was deliberate at all? Do you see any humans? Do you see anything that’s human-sized? No. You see the drive-thru ATM, the drive-thru coffee shop, the strip malls, the six-lane streets, the parking lots. Even the Crystal Cathedral, with its garish screen announcing services and its spires pricking a white sky, is too big, meant I suppose to contain multitudes but destined, I fear, to look comically (or tragically) like a cartoon version of itself. Where they exist, the sidewalks are hot and narrow, stained by chewing gum and spilled McFlurries, interrupted every few feet by curb cuts. We pass hamburger joints, hospitals, hotels. Nothing seems particularly busy, but there are always cars pulling in and out and people must be inside the cars, compelled to keep moving by some obscure motive or other – errands, lunch breaks, breakdowns. There are people behind counters and cash registers, taking money, making money. We repeatedly seek respite in the old part of Orange, where antique shops and cafés and wide shady spaces make us feel welcome, even a little nostalgic. I fall briefly and irrationally in love with a vintage 1940s swimsuit, made of thick navy blue wool with red straps, “a really rare piece,” the girl in the shop tells me, smiling encouragingly but understandingly; it belongs in a film, or a frame. So I pretend that if I had lots of money, or even any money, this is the sort of thing I would impulsively spend $250 on.

***

I watch episodes of Friday Night Lights and feel nostalgic for small town Texas, even though I’ve never set foot in Texas, even though I’ve never been to a high school football game. My high school mascot was the earwig, which inspired very little spirit in anyone, and all the boys played lacrosse, although certainly not well enough to be state champions. People weren’t really from there, anyway: it was mostly a boarding school, and everyone scattered at the end of each year to go home or to college. I flip through old yearbooks; I note that in my senior year, I was voted ‘most likely to succeed’, alongside a male counterpart. As I was never sure, and still am not sure, what it is I’m supposed to succeed at, I doubt I’ve lived up to the challenge yet. (My primary achievement so far, apart from moving far away and finding somebody who continues to love me even though I never put the bread back in the bread bin, seems to be writing a book centered largely around the idea of changing definitions of success). The boy voted most likely to succeed now, I believe, works in finance, which sounds much more like something approaching success, particularly if success involves being able to pay your rent on time.

I revisit the valley where I went to school. The uncertainty of my relationship with the place now is based on the understanding that I know almost no one here anymore: there’s little chance of a chance encounter, one of those movie scenes where you’re standing at the counter picking up your mother’s prescription and someone taps you on the shoulder and says ‘oh my god, I can’t believe it’s you!’. I keep thinking about how different everything is – none of the places that used to be here are here anymore – but at the same time nothing’s really different. It’s not the same salon, but it’s the same old story, or a version of it – this time it’s the hairdresser’s husband, not the hairdresser herself, who was born and raised here.

I drive home, listening to a mix CD I must have made in high school – Jimi Hendrix juxtaposed with Dashboard Confessional. I always did like to be contrary. The sights are familiar and so are the sounds. I turn the volume up, blaring Weezer like I’m 17 and pissed off at nothing in particular but nevertheless enjoying the freedom and the speed and the inherent understanding that all the big decisions are still somewhere on the horizon, not yet made.

As it happens I’m not pissed off at anything and am feeling pretty mellow, driving slower than I used to, pulling over to take bad photos with a borrowed cell phone, momentarily at peace with the big decisions that have already been made. But I still remember the time I hit the squirrel on this stretch of road and the time we discovered that the cows had escaped their pasture on that stretch of road. I’ve been thinking a lot about memory lately and I wonder why these are things I remember particularly.

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In My Country: Notes on Hearing Geoff Dyer speak about Americans

Last week I went to London to hear Geoff Dyer speak about Americans. I didn’t have any particular desire to hear Geoff Dyer speak about Americans, but I did – almost desperately – want to hear Geoff Dyer speak, and I did want to know what The School of Life’s secular sermons are like, so I travelled from the Cowley Road to Conway Hall early on a Sunday morning.

It was one of those lukewarm September days. I sat at the front of the hall, perhaps wanting to be noticed, to be (perceived as) bold. A woman in a red and blue military-style jacket (like a drum major’s uniform, perhaps, if I knew what a drum major’s uniform looked like, or even really what a drum major was) stood before us. She wanted us to sing; this really was a sermon, and there were hymns. She said she had changed a little bit of the first hymn – Sinatra’s “New York, New York”, lyrics printed in our pamphlets – and invited Ed, her small blond pianist, to play a few bars so that we could practice the modified verse.

We sang. It still sounded like a hymn, like an English hymn sung in an English church on a rainy English sunday. It had that hymn-rhythm; which is to say, no rhythm at all. I don’t know much about singing, but I’m pretty sure that the way the English sing their hymns makes virtually no sense unless you’ve grown up singing them that way.

After we sang, I felt good; singing in public always makes me feel this way, as if I have achieved some kind of victory (in preschool I was once admonished to the point of tears for mouthing the words to a song rather than singing them out loud). But there was something unnerving about the whole thing, too. There was something strange about this woman, in her drum major’s jacket, with her Shirley Temple curls and her peppy voice, imploring us to loosen up a little, shake our limbs a little. I did not want to shake my arms or my legs like a chicken; I certainly did not want to do so repeatedly, and I most certainly did not want have to pay the bald man sitting next to me a compliment, not because I didn’t think he was worthy of a compliment, but because the compliment would inevitably be forced, even if meant – I like your shirt, I like your blazer, you have a nice smile – and therefore quite meaningless. Moreover, the first thing that had popped into my head was, “I like your hair,” which was definitely not something you could say to a bald man you had never met before. So I just looked the other way; it was easy, I pretended I was on the tube, trying to avoid looking at the person across the aisle whose knees were touching mine.

And the bald man turned to the curly-haired man behind us and said: “I like your hair.” And the curly-haired man said to the bald man, “That’s a great shirt!” And it was a great shirt; I hadn’t noticed before, but it was a great shirt now that the curly-haired man had mentioned it.

***

Then Geoff Dyer – who, even though he makes frequent reference to being tall and thin, is much taller and thinner than you imagine he is – was on the stage, at the pulpit, preaching, or, rather, speaking. He sounded a little like he might be suffering from the onset or aftermath of a mild early Autumn cold; occasionally he paused to sip from a tall glass of water. He told some anecdotes, about Americans, about the British, about the time he went to Big Sur and stood in silence on a bluff overlooking a bank of fog so thick it obscured the sea, everything, and thought how peaceful it was until an American man appeared on the scene and boomed into the quiet: “Sure is peaceful, isn’t it!” I knew I’d remember that anecdote, not because it meant anything much but because I, too, have been to Big Sur and been impressed by the way the fog rolls in and covers the coast but allows you this God-like view over it, this view that makes you think that virtually anything could be going on below you but you are above it, on the sun-bleached hillsides, in the sun. Well, yes, I thought: that is my country.

***

But then, I don’t really know my own country. I’ve probably seen more of England – percentage-wise, at least – than I have of the USA.

Last summer, on our way to Toronto, we had a layover in Minneapolis, and so, for the first time in a long time, I was in my country – though of course I had never been there before, to Minneapolis, to anywhere near Minneapolis.

I passed through immigration. The officer, who looked about my age, did not seemed inclined to interrogate me, but neither did he seemed inclined to let me through without at least making an attempt to understand the apparently complicated circumstances under which I found myself now here, in our country but his city.

“So you live in the UK?” he said, flipping through passport pages, looking at faded stamps and expired visas.

“Yes,” I said.

“But you’re going to Canada.”

“Yes. For a wedding. But not mine,” I added. I laughed, he didn’t. Maybe he was thinking it was perfectly plausible that I was flying to Toronto via Minneapolis for my own wedding to an Englishman. For some reason I started to think, what would happen if I just made a run for it? Would they catch me? Would they detain me? Would I go to jail? How would I explain it?

“So you live in the UK and you’re going to Canada and you’re not staying in Minneapolis?” he summarized.

“Yes,” I said. And he stamped my US passport, and I was home, geographically if not emotionally.

Thirsty in the departures lounge, I bought a bottle of Aquafina water with two stray dollar bills in my wallet. It reminded me of being in high school, buying bottles of water from the vending machine outside the gym during the long, hot volleyball season, which always began in an Indian summer. We would sweat our way through two hours of scrimmages and sprints and inspirational speeches. I was 14 on 9/11 and I remember that afternoon, though we’d spent all day in front of television screens, which they’d produced as if by magic and hauled into all the classrooms, it was business as usual. Drills and sit-ups and bottles of Aquafina from the vending machine. Sometimes it was so hot that we would go across to the pool after practice and leap in. Then I’d spend the long drive home wet, my t-shirt stuck to my sports bra, my hair smelling of chlorine and perspiration.

So Minneapolis is not where I’m from, but in a way, it’s part of where I’m from. The truth is that when I say “my country”, what I really mean is “my parents’ house,” “the farm my best friend grew up on,” “the bit of Boston I used to live in,” “the other bit of Boston I used to live in.” All of these tiny, disconnected places, forming a patchwork map, my map. I love my map. I love those places. I feel patriotic about street corners, particular coves and hilltops, parks and benches and cafés and long winding roads. But I don’t know what Americans are like; I don’t know what America is like. I don’t know what to think of my country as a whole. I don’t even know how to see my country as a whole.

***

I guess the trouble with being an American abroad is that you never know where you stand. Everything depends on politics, and politics cannot be counted on.

In his sermon, Dyer alluded to a period – four or five years ago, when the pound was worth twice what the dollar was worth, when animosity towards George Bush was at a high – during which Americans were treated with a much chillier, more patronizing attitude. I remember that period. That was when I first came here. I was defensive, yes, but I always imagined that people looked at you a bit differently if you were American. It was polite in those days (it may still be polite, in fact) to ask if someone was Canadian if you discerned a North American accent. I remember an aggressive and insecure compére at a comedy show, mistaking my sarcasm for genuine insult, telling me I was just another one of these Americans, spending a few weeks here, pretending to know everything, and why didn’t I just go back to where I’d come from? And then, later, realizing his mistake, he was so apologetic (“the cult of the apology,” Dyer called it, this unmistakably British instinct – “the human equivalent of birdsong”) that I couldn’t help but feel some kind of perverse sympathy for him.

But here we are now, and things have changed, and authors are giving talks in praise of Americans. And in a few years, or a few weeks, something else will change, attitudes will shift, and I, who has not moved, will stand somewhere else.

***

Then there is the issue of friendliness. The American smile. Updike’s quip: “America is a vast conspiracy to make you happy”. I started to think about this. As I thought, I realized that I was probably, even in that moment, quite happy to be in London on a sunny Sunday morning listening to one of my favorite authors dole out praise for my countrymen, scowling. I am nearly always scowling. When I work, when I sit, relaxed and reading or listening, my face contorts in a way that is comfortable for me but uncomfortable for everyone else; I’m often asked if I’m okay. Yes, of course I’m okay, I say, can’t you tell?

Needless to say, I don’t have an American smile. I was not invited to join the cult as a child, I missed the meetings where the mechanics of the smile were discussed and practiced until they became an instinct.

I used to work at a school in Oxford. About half of our adult students were Americans doing a semester abroad; the other half came from all over the world to study English. One of my many menial tasks was to print student photos onto ID cards. Even before you checked the files, you could always tell the Americans from the rest, especially the girls: they were the ones with shiny grins as big as the moon, wide eyes, flat hair, heads cocked at a flattering angle. They were not prettier than anyone else – very often the opposite – but they always gave the impression of being prettier than everyone else.

As I listened to Dyer speak about the charm of Americans, I wondered if maybe it wasn’t real charm, not always; maybe sometimes it was the illusion of charm, like those girls smiling up at me from their ID cards, pretending to be prettier than everyone else and therefore convincing me, convincing all of us, that they were.

Even I am charmed when I go back to the US; I am always amazed that shopkeepers want to have such long and involved conversations with me, that cashiers want to make eye contact with me, that the girl at the bank is so genuinely curious about my weekend plans. But I feel like I don’t know how to trick myself into being charming. I feel, frankly, like I’m not a very good American, with my scowl and my shyness and my sorries (I may not be part of the cult of the smile, but I am definitely part of the cult of the apology).

Lately, though I’ve been practicing being more American. I’ve been trying to accentuate my accent, for instance, or to raise my voice above a whisper in the pub. I suppose that the longer I’m here the more strongly I feel the compulsion to assert the fact that I’m from there, to solidify my standing as an outsider even while I feel increasingly like I am part of something.

***

After the sermon was over, after we sang a final hymn, I stood in line to waiting to ask Geoff Dyer to sign a book. I hate asking authors I love to sign books. I’m always hoping that, somehow, perhaps by looking deep into my eyes, they’ll discern that I’m special, that my appreciation for their work is special, that we could be friends, even. At the same time, I know it’s a pointless thing to do: I’m not trying to increase the value of my library, and I’m under no illusion that because an author has scribbled “to Miranda” on the title page, we have any kind of relationship.

But as I stood there before him, presenting my book and my nervous smile, I made a conscious effort to try to be more American than I might ordinarily be. I began to smile and to speak. I gushed about how much I liked his work. I said my name so quickly (perhaps, I hoped, so American-ly) that he had to ask me to repeat it. He signed my book. I said, “have a nice day!” And then I sped off with my heart thumping for no obvious reason, sure I’d made a fool of myself.

Later, waiting for the bus home, sipping a too-large chai latté like I used to do in college, the sun shining limply over Notting Hill, I forgot to care about whether or not I had made a fool of myself. I thought of this, by Jawaharlal Nehru: “But in my own country, also, sometimes, I have an exile’s feeling.” I figured that really, the only country I could claim any ownership of was the one that’s made of memory.

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Sunday Rant: The Farmer’s Market

Every Saturday we go to the farmer’s market. No, that’s not true. Every Saturday I go to the farmer’s market. We used to go together, but I think he got annoyed with the conversations we would have when we got there. “Do you want a chicken?” he would say, as we waited in the queue to buy eggs.

“I don’t know,” I would say. “Do you want a chicken?”
“It’s up to you!” he would say, trying either to be accommodating or infuriating, I’m not sure which.
“It’s up to you!” I would say back, because I am incapable of intelligent conversation pre-breakfast (and indeed sometimes post-breakfast, too).
“I don’t mind,” he would say, so I would not buy the chicken because it seemed to make sense to mask ambivalence with frugality – we don’t need meat to survive, we’ve already got bacon at home, etc etc etc.

But then, later, milling around near the vegetable stand, he would be at it again.
“Do you want some celeriac?” he would say.
“I don’t really know what to do with celeriac,” I would say.
“There are lots of things you can do with celeriac.”
“Yes, but I don’t really know what to do with celeriac.”

I would think maybe that was it, the end of the conversation about what vegetables we did or didn’t want in our house, the end of the string of humiliating admittances I would have to make about the gaps in my culinary knowledge (“You bought rhubarb?” “I thought it was celery!”, etc). But a few minutes later, he’d say something like,
“Is there anything else we need?”
“I don’t know,” I would say, because I really didn’t know: it’s impossible to know precisely what kind of fruits or vegetables are necessary for the week ahead, especially when weeks are so unpredictable, and you can’t even say for certain on which nights you’ll be dining in and on which nights you’ll be scoffing a quick sandwich from Sainsbury’s (BLT, reduced to clear, 49p) before a gig you’d forgotten you were going to.
“Well, is there anything else you want?”
“I don’t know. Is there anything else you want?”
“It’s up to you. Do you want some kale?”
“I don’t know. Do you want some kale? Obviously you do want some kale, since you brought it up. So just buy some fucking kale and stop asking me about the fucking kale.”

At which point we’d not only not buy the kale but also forget to buy bread, and later I would regret that we hadn’t bought a chicken but be annoyed at my impulsive decision to buy all of the broccoli in Oxford, now yellow and wilted and sitting in a tote bag on the kitchen table.

So anyway, as you can probably understand, I mostly go on my own nowadays.

I enjoy this. I like the ritual of it, and I like the bargaining power it gives me when I’ve come home with eggs and bacon and mushrooms and I get to say, “I brought home the bacon, you cook it!” And our local farmer’s market is held in a primary school behind the Tesco Metro on the Cowley Road, so I like cutting through the Tesco on my way to the market, using it as a public footpath, buying nothing in a mute display of smugness. I like listening to music on the walk. I even like that I’m always, without fail, quite late, so I often miss out on all the desirable goods (asparagus during asparagus season, cream from the local dairy, bagels from the bagel lady), because when I do get my hands on one of these items, it feels like a real victory for laziness. Look, I slept till noon and I have asparagus pee!

But there are some times when the experience is trying. It all depends on my mood. Some Saturdays, it’s like walking into a big warm fuzzy hug full of sunshine and cheese and dreadlocks. There are delightful youngsters smiling up at everyone, beautiful families pushing discreet prams, students stocking up on muddy potatoes, old eccentric women buying strawberries and garlic. Other days, though. Other days there are a bunch of kids screaming, and smug people who have successfully procreated pushing their prams over my unprotected toes, and students who still smell of last night’s cheap booze, and old women who snarl like hyenas if they sense you might be eyeing up the same pumpkin.

In particular, I resent the queueing system, or lack thereof. For a society so preoccupied with queueing, Britain really can get it wrong sometimes. For example: people tend to queue for the bread in such a way that they block the queue for the eggs and cheese. Why? They could easily queue in such a way that they did not block the queue for the eggs and cheese, but the one or two times I’ve tried to impose some order, I’ve been skipped over and eventually reprimanded for not standing in the right place. At the vegetable stand, standard practice is to select a number. This is ostensibly to make queueing easier (there’s much less stress if you know that, eventually, your number will be called, at which point it is your right to be served), but people don’t seem to understand that there’s no need to jostle or compete, and rather than stepping back to allow others to peruse the peppers, they hover near the tills, as if their constant presence can somehow change the order of numerals.

But the really annoying thing, the most annoying thing, is that it’s impossible to stay annoyed. Just as soon as I’ve decided to be grumpy for the rest of the day because I’ve missed out on the last of the milk and I don’t know where to stand so that I am actually in a queue for anything, let alone for what I actually want, the woman next to me, equally perplexed, laughs and asks if this is the queue for the eggs. Or the vegetable man smiles as he weighs my vegetables and helps me fill my bags. Or the guy at the bakery says, “see you next week”, indicating that I’ve been taken for a local, that my regular presence has been noted. And I can’t be grumpy anymore. I just can’t. No matter how grumpy I was. No matter how many prams have trampled my toes. No matter how many people are holding the exact same Guardian Hay Festival tote bag (including me).

Is this a rant or an ode? I don’t know anymore. Dear farmer’s market: give me my grump back. Or don’t. Whatever.

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The Future of Memory, the Memory of Place

One night I went for a walk, to dislodge some words that had got stuck at the very back of my head, in the least accessible place. I took my camera and walked down the Iffley Road at sunset. It happened to be a very fine sunset, with pink bleeding into the horizon and gold clouds over the track where Roger Bannister ran his sub-4-minute mile. I took a few photos. I thought maybe it would help if I tried to look at the city, or even the world, from a photographer’s point of view, but apart from the sunset I was having a hard time figuring out what to take a photo of. It didn’t help that the city was basically empty; it made everything feel static. Very few people seemed to be out enjoying the dregs of summer as I was out enjoying the dregs of summer.

Anyone who was outside, though, was also taking photographs. I began to feel a kind of camaraderie. A camera-raderie, maybe. On Magdalen Bridge a girl on a pale blue Pashley paused to pull a camera from her handbag. In Radcliffe Square, the big Camera dwarfing my little camera, bells began to ring, and I stood taking pointless beautiful photographs, listening to the bells ringing. A family wandered past; I got their silhouettes in some of my shots. They were also taking photographs, naturally: they were tourists, or at least, I imagined they were tourists, because they looked tourist-like, whatever that meant. But I had to stop myself thinking like this when I saw that I could also seem to be a tourist, and in a way I still was a tourist, even after four years, and I would still be one after forty, too. The family skirted around me and went to stand for a long time outside All Souls, though there is nothing much to see there; I have often looked through the gates of All Souls and never seen a soul.

Some girls were taking photographs under the Bridge of Sighs. Three of them stood in a line and jumped up obediently as the fourth took a photo, and then they changed configuration, so the one taking the photo could also be in a photo. I thought it was funny, and a little sad, that no matter how many times they did this, one of them would still always be missing from the photograph.

I went down Queen’s Lane, liking the sound of my rubber soles on the street, which was notable for being the only sound I could now hear. When I first started riding a bicycle in the city I had crashed twice in the same spot, trying to squeeze through a narrow gate. Now I had been cycling for years, and I had forgotten what it was like to walk here.

***

Outside the Grand Café, I considered the cocktail menu. I did not want a cocktail. I thought about having a glass of white wine, though I can never see the point of drinking a glass of wine you don’t love unless you’ve got food to go with it. I wasn’t at all sure they would have a white wine that I would love, particularly when I didn’t even really feel like having white wine. In fact I didn’t know if I wanted to go in at all. Nevertheless I went in, and ordered a Kir Royal, and sat in front of a big mirror, on a wicker chair, and read from Jeff in Venice, Death in Varanasi. A party in Venice, cocaine, champagne, sex. I read for the duration of my Kir Royal and then felt obliged either to order another or to leave, even though it was still practically empty, just a couple sitting by the window and a pair of girls at the bar. I might well have been on my own, I thought. I did sort of want another, I could have stayed in Venice for longer, but in the end I brought my empty glass to the bar and left.

***

I crossed the road thinking I might like to take a bus home, but I had just missed one and I did not immediately see another coming, so I put some music on and walked home, where I finished the Venice section of the book and moved on to the India section: not just a change of scenery, but also a shift in perspective, a change from “he” to “I”. I read:

“Every atom of the air is saturated by history that isn’t even history, myth, so a temple built today looks, overnight, as if it’s been there since the dawn of time. Every morning is the dawn of time, I wrote in my notebook. Every day is the whole of time.”

I made a note of it, because in a way it corresponded to a thought I’d been having, or trying to have, about memory and place. It made me think, in fact, of the epigraph to another Geoff Dyer book, The Missing of the Somme:

“Remember: the past won’t fit
into memory without something left over;
it must have a future”

That was something by Joseph Brodsky. In Jeff in Venice, Dyer writes that “Jeff had never read Brodsky” – but of course Geoff must have, or must at least have read that particular bit of Brodsky and identified it as relevant. I guess sometimes it’s better to have a quote without context; it’s more malleable, it’s why epigraphs work. I love epigraphs in books, but in fact I rarely read them; I always think the epigraph is a representation of the private relationship the author has with a text, and kind of irrelevant to the relationship that the reader will develop with that same text. It’s like saying, “hey, in my head this complements what you’re about to read. In your head it may have nothing to do with it. Whatever.”

***

Maybe it’s like writing about place: the place is actually irrelevant to everyone else. I used to like reading about Paris, before I had ever been to Paris, just to see the names of streets and squares that meant nothing to me. I don’t think it much mattered that when I first read A Moveable Feast I didn’t know where the Place Saint-Michel was, hadn’t yet sat in a café there with my lover, both of us poor and a little hungry, sucking down café au laits in the late summer heat. But then I went through a phase of thinking that context was paramount, that to really read a book, it was essential to know the place it was about, to have a map of memories in your head (to “anchor you”, I thought).

But then every time I read a book about Oxford and came upon a passage about the Radcliffe Camera or the High Street or the Grand Café or the Cowley Road I would have to go back through my own catalog of experiences, find a corresponding situation, consider the gap or overlap between one writer’s view and my own. And that can be tiring.

***

Every day is the whole of time – the thought I had been trying to have was simply this: places trap memory by accumulating it. Like rain collecting in a bucket with infinite capacity. Like Tennyson – “I am a part of all that I have met.” And part of a memory is also the future of that memory. Places are haunted by ghosts, but also by those who are still alive.

Before bed I wondered how much of our description of place has nothing to do with place, and everything to do with the “I” or the “he”. I’ve never been to India, but I’ve been to a place where “every atom of the air is saturated by history that isn’t even history, myth”. But maybe I haven’t; maybe that is just a state of mind, a state of mind you could be in wherever you were in the world.

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Here’s what spring looked like

It was springtime in Oxford and the cherry blossoms were blooming and there was something not quite right. This was supposed to be the buoyant time of year, but I kept waking up in the hot blue depths of the pre-dawn with no breath, my heart beating too fast. I remembered feeling like this once or twice before, or maybe it was more than that: I remembered feeling like this for weeks at a time, but I thought I had put all that behind me. So now I thought: am I dying? Well, maybe. But also maybe I have felt this way before and asked myself the same question, needlessly, and been okay, so maybe I will also be okay this time too. But then I thought: well, perhaps this time is different. I thought that perhaps in the morning, if I was not dead, I should make an appointment with the doctor. All those vertiginous nights and I had learned nothing! But in the end I never made an appointment with the doctor, not about that, anyway, and I kept waking up, which was, I eventually decided, a good sign.

When I began to examine my situation, I realised that at the heart of it was this: I could not decide anything, but I was running out of time. I was both very young and very old simultaneously: maybe the tightness in my chest was simply the weight, the vice-grip of missed opportunity. But also I looked around and everyone was older than me. My friends were all older than me. My boyfriend was older than me. We kept talking abstractly but also very seriously about babies, each of us trying to impart some sense of urgency to the other whilst also, at the same time, trying to make light of the situation, to stop the progress in case we had misunderstood each other. He was five years older than me: that was a lifetime, it was nothing. I was still young, to have children, but he was old, even though he was young too. I kept thinking about it this way: as if age somehow mattered.

Only of course it did matter. Age had always mattered. I had always been younger; I had been propelled forward, skipped a grade, left to flounder with my patchy understanding of long division and joined-up writing, encouraged to consider myself intellectually precocious even while I struggled with basic social interactions. But now I was reading articles in the newspaper about how fragile fertility really was, which did not help things, because I was already worried, again needlessly, again powerfully, about fertility. I wanted to go to the doctor and ask, but I did not know how to, and I did not want to have a conversation about how young I was, how much time I had left, because I was not young! I had so little time left!

***

His grandfather kept asking why we were not yet married. It had been four years and I suppose it was not an unreasonable question. We asked ourselves the same thing, too, and I could never find a satisfactory answer except that we weren’t. It was very simple, really. We had lived together from the start and there had never been any doubt about the seriousness of our situation, of our strange devotion, and yet even when we did talk about getting married we talked about it as very young people are apt to do: as a thing for the future. And yet here we were four years later, the future was upon us! So we simply hadn’t caught up with ourselves. But it was hard to say this to a 90-year old man who wanted to see his first grandson married. You see? Age did matter after all.

***

But the real issue was that I could not decide anything. For instance I could not decide if I wanted to commit to children. I mean, I did, really. I thought about my own parents, who had not the benefit, as we ourselves had, of all this time and youth. My mother was 36 when she had me, but this was not, I had begun to realize, really the conscious decision I had always imagined it to be: it was not necessarily about feminism, or about putting a career first, or even about indecision. It was on the other hand at least partly to do with the fact that she simply had not met my father sooner, and so had not the same luxury of time that we, theoretically, had.

But then again I thought about how little I had done so far and how much I did not want to feel useless. I thought about how unprepared we really were. Neither of us had any money to speak of or any prospect of earning very much money ever. We did not own a house and although we had a very understanding landlord in Ireland who did not charge us very much to live in a beautiful terraced house with a big garden in East Oxford down the road from our favourite pub we had very little stability, because while this arrangement might last forever, or at least for a long time, it might also not, and if it did not, I couldn’t see what we’d do. We’d been utterly ruined by living in this beautiful house and I did not know where else in Oxford we could go and be happy as we were happy in this place, at home as we were at home here at home.

But then perhaps it would not matter: we had always said, for instance, how we wanted to move to the US at some point. I couldn’t even decide about this, now: I was so happy in Oxford (even when I was desperately unhappy), I had such a sense of community (even when I felt lonely), I rode my bicycle through the city centre every single day and every single day I was overcome with this sensation that I belonged here: or at least, that I wanted to belong here. The beauty had not gotten old and familiarity had not ruined the novelty of finding myself here, of all places. So where else would we go, and why would we go there? But at the same time we liked the idea of being the sort of people who could get up and go, who could raise children in two countries, or three. And he was deliberately setting up a portable life: a career that allowed for flexibility.

***

This was another problem: careers. I had none. I did have a job, where I spent eight or nine hours every day, with people I liked very much, performing tasks I mostly had no passion for. But anyway a job is not a career, and the real problem is that I could not do the things I really wanted to do. I could not write, much, because I had no time and no energy and then whenever I did write it came out all jumbled and depressed, or else I worked on a novel that I could not decide what I felt about. In some ways I thought it was very good but there were also ways I suspected it was very bad, and I was afraid of finding out which bits were which, in case I had to confront the fact that I would have to do something very seriously different with it to make it readable. And of course I knew that even if it was readable, it wouldn’t necessarily be what I wanted it to be, and even if it was what I wanted it to be, it wouldn’t necessarily be published, let alone read. So it seemed a bit of a dead-end, or at least, not the best way to spend what precious time I had to myself.

***

With the rest of my hours I slept and swam. And I thought about how I wanted not to have to swim every evening with the rest of the weary workers: all of us slogging through our days, slapping our arms against the water, mouths moving open like fish lips as we rolled our heads to the side to receive air. I wanted to swim at midday, maybe. Or midmorning. Or mid-anything. Just anytime that was the time I chose and not the time that had been given to me.

So then I thought that if I felt that way about my time, perhaps children were not right, because the thing I knew, one of the very few things I knew, about children was that when you had them you had no control anymore over your time. You would be awoken again and again in the night and then for twenty years you would give yourself to something else. But then I thought that this was just what I needed: a real reason to not be selfish, not a fake reason, not a salary or a fear.

***

There were certain things I did know. I knew that I was in a holding pattern, I knew that something would have to give or be given, and soon. I knew, too, that in the end we would be alright, that it did not matter if we did not have a house or even if we were not married, and that since we did after all love each other there was no real reason to think that we would not find a way to support a family if we wanted to. I knew also that I did not want to raise a family on unhappiness, and the situation I had got myself into was an unhappy one, because it was not one in which I was doing something I wanted to do. I knew that I had to write something. I knew that I had to keep swimming, because it was the first thing I had found in a long time that gave me the peace of mind they say exercise is supposed to give you. I used run, but the problem with running was the impact: I got a bad knee from it (this was why I had started swimming in the first place), my side often hurt and I would have to cut the run short (later the doctor told me that this was because of my hip and too many years of running on hard surfaces). I had liked running, and I still liked it, but not in the same way. It left me tired, which is a good feeling to have but not always as good as feeling simply buoyant. I guess perhaps it was just that the act of floating seemed a small miracle. My own mother could not swim, and yet I had been given the ability to, I had had lessons and an upbringing by the beach. And my grandmother, now in her 80s, had been swimming practically her whole life and still did it regularly.

I even knew that all my obsessive worry was irrational, and that I was waking up in the middle of the night for nothing, and that I was very lucky in very many ways, and that I was thinking too hard about too many things that were too far in the future for me to have any control over. But even so I kept worrying and I kept waking up.

***

My thinking was very circular. I would think for a time – any time, in the middle of the night, or the middle of the day, halfway through a meeting, staring at a slide being projected onto the wall or at my desk looking out at the tennis courts and watching a pair of white-haired men send the ball back and forth on the grass courts. And then I would reach the place I had started: a question, a series of questions. I would find myself unable to understand if I knew what I wanted or only knew what I thought I wanted (or were these the same thing?), if I was able to move forward or not. So I would keep staring out the window. And meanwhile, all the while, time was passing me by, or I was moving with it, or anyway I was getting older, if imperceptibly.

Perhaps this is what they mean by growing up: the awareness not of mortality – nothing so grand – but simply of each moment. The ability to literally feel the length of a second or an hour, and to place that second or that hour in context, to know how much it means. But in any case I did not really want to be grown up: I only wanted to sleep through the night, I only wanted to find it not such an effort to smile at people or even at myself in the mirror. I wanted to cut my hair short, even though I worried I never would, in the same way I wanted to say, ‘I want to start a family now, because why not?’ even though I knew I would not say that, yet. I worried what would happen but also wanted to know what would happen if I did do these sorts of things.

I told myself that in a way, once before, I had done something like this: I had simply moved to Oxford, which went against logic, which was not the easy or even necessarily possible thing to do, and yet I had done it and it had been easy and we had made it possible. And it was the best thing I had done, it was one of the only things I could not convince myself, if I tried, to regret: no amount of convincing would make even my wretched anxious self think that that had been at all a bad idea, even if it had not always been good, even if I had not always been smart about it, even if we had struggled.

So I thought I should be comforted by that.

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About Miranda Ward

California-born, UK-based author and PhD student interested in geography, literature, technology, music, and other stuff too. Read more...

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The book's in @waterstonesOxf! I didn't even have to face it out - it was already like this. :)Morris dancers. A pint for breakfast. Etc.The walking tree.Glad we decided to get up at dawn...It's a beautiful day for a book launch!Warm light. Almost springlike.Empty glasses at sunset...Warm inside...Dusting II

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